Wat Traimit and the Golden Buddha: Where Chinatown Falls Silent

Wat Traimit and the Golden Buddha: Where Chinatown Falls Silent

Devotees kneeling in prayer in front of the Golden Buddha in Phra Maha Mondop in Wat Traimit.

Thailand by Ludivie Faith Ludivie Faith

Navigating the maze of the car-riddled streets of Chinatown (Yaowarat), I caught sight of the gilded spired finial of Phra Maha Mondop while waiting for the bright mid-afternoon sky to slowly blanket the horizon with its soft reds and yellows. The brilliant sun intensified the glare reflecting off the gleaming white marble and gold-accented exterior of this four-story pavilion at Wat Traimit Witthayaram Worawihan.

With merely half an hour left before closing, I swiftly ascended the stairs to the top floor. There, I paused to revel in the sweeping view before stepping into the main hall. Without the cushion of my shoes to soften my steps, I glided across the cold, hard floor of the sanctuary, where my gaze was instantly drawn to the glowing golden statue in the middle. The architecture was undoubtedly designed to highlight the grandeur of the Golden Buddha, with the ornate gilded archway echoing the statue’s silhouette and the geometric placement of the lighting and pillars accentuating its opulence. Seated in the traditional earth-witnessing gesture (bhumisparsha mudra), symbolizing triumph over adversity, its steadfast posture stands as a compelling and enlivening parallel to its own history.

Phra Maha Mondop – the four-story centerpiece of Wat Traimit Witthayaram Worawihan and home to the Golden Buddha on its top floor. The ground floor serves as the entrance and administrative area; the second floor features the history of the local Thai-Chinese community; and the third is a museum detailing the statue’s history and rediscovery.
Phra Maha Mondop – the four-story centerpiece of Wat Traimit Witthayaram Worawihan and home to the Golden Buddha on its top floor. The ground floor serves as the entrance and administrative area; the second floor features the history of the local Thai-Chinese community; and the third is a museum detailing the statue’s history and rediscovery.

Prior to its rediscovery, the statue was encased in thick layers of stucco to disguise its real identity from the threat of the Burmese invasion in the 1700s. As one of the few surviving artifacts of the war in Ayutthaya, it was moved to Bangkok and initially housed at Wat Chotanaram, where it served as the principal image of the Buddha for decades. Unfortunately, the minor statue was largely forgotten after the temple’s abandonment, where it remained sheltered under a simple, tin roof before being moved to its current home.

The façade of the once neglected and ignored clay statue cracked when it was accidentally dropped during its relocation, where a hint of the gilded radiance of the now liberated and mighty Phra Phuttha Maha Suwanna Patimakon (Golden Buddha) shone through.

A gradient of devotion, the Phra Phittha Maha Suwanna Patimakon (Golden Buddha) is considered the world’s largest solid-gold sculpture and most valuable sacred artifact (worth more than $150 million as of 2008). The gold purity (in percent volume) of this three-meter-tall, 5.5-tonne statue is divided into three: the body at 40%, the chin to the forehead at 80%, and the hair and topknot at 99%.
A gradient of devotion, the Phra Phittha Maha Suwanna Patimakon (Golden Buddha) is considered the world’s largest solid-gold sculpture and most valuable sacred artifact (worth more than $150 million as of 2008). The gold purity (in percent volume) of this three-meter-tall, 5.5-tonne statue is divided into three: the body at 40%, the chin to the forehead at 80%, and the hair and topknot at 99%.

Along the quiet edges of the sanctuary, devotees knelt in deep prayer. They tended to their offerings, indifferent to the low chatter of the passing crowd and the nearing closing hours. Witnessing this, I found my calm and allowed my mind and body to slow down, embracing the meditative stillness of the space. I found refuge next to one of the gilded windows, where the heavy, humid Bangkok air settled on my skin, and the frigid floors brought shivers within me. As my physical awareness heightened, and my mind silenced, my sense of time stalled on the glacial reach of the polished floor of the sanctuary.

The interior frame of one of the sanctuary’s apertures (windows) highlights an ornate image in Lai Thai designs. A symbolic and physical transition from the outside world to the sanctuary.
The interior frame of one of the sanctuary’s apertures (windows) highlights an ornate image in Lai Thai designs. A symbolic and physical transition from the outside world to the sanctuary.

With a rested mind and quieted spirit, I gently exited and followed the warmth of the wooden pathway, where I was reintroduced to the sprawling vision of Chinatown from above. The brilliance and harsh glare reflected off the afternoon sky offered a sharp departure from the warm amber tones of the sanctuary. Immensely illuminated by the sun, the gold accents and intricate features continued the motif of grandeur that anchored this temple.

A view of the sprawling and formless Bangkok horizon from the fourth-floor pavilion of Phra Maha Mondop, revealing the interconnectedness of modernity and tradition.
A view of the sprawling and formless Bangkok horizon from the fourth-floor pavilion of Phra Maha Mondop, revealing the interconnectedness of modernity and tradition.

On my way out, a high-pitched sound brought my attention to a couple of visitors. They were ringing the bells that were scattered across the pavilion and inadvertently started a bell-ringing fever among the others, myself included. Their sound created a delicate chatter of ringing, radiating a frequency that lingered throughout the area. Calming and awakening, at the same time.

Visitors interacting with the bells at the pavilion.
Visitors interacting with the bells at the pavilion.
A row of smooth gold-plated bells with leaf-shaped clappers, which were scattered across the area.
A row of smooth gold-plated bells with leaf-shaped clappers, which were scattered across the area.

Leaving the chorus of the bells behind, I headed down to the grounds. Maybe I was just spoiled by the serenity at the top, but the racket of vendors, locals, and visitors alike startled me when I reached the lot. Curious to see more, I wandered around and was delightfully acquainted with what seemed to be the routine of the locals – children blissfully playing, a group of teenagers having a quiet rest in the benches, vendors selling snacks and water, workers cleaning and tidying the area, monks in their stalls selling products, and devotees praying in an open shrine.

A devotee praying to a black Buddha in a shrine located at the grounds of the complex.
A devotee praying to a black Buddha in a shrine located at the grounds of the complex.
A monk preparing his stall to sell products.
A monk preparing his stall to sell products.

It was only within the walls of the sanctuary that the overwhelming rush of Bangkok fell away, allowing my restless energy to dissolve into a state of absolute stillness. The Golden Buddha anchored a grounded setting against the relentless pace of the city I had been swept into. With this newfound sense of clarity and calm, I continued my journey through the chaotic streets of Chinatown (Yaowarat).

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